Non-western art history is rarely taught at European institutions although countless important works of non-Western art are kept in museum collections all across Europe. Including non-western concepts of pictorial space is key to the project, however, for eurocentric models of art history have generally privileged the rise of the linear perspective. This framing has limited our understanding of the horizon’s complex rhetorical, visual and epistemological roles.
The project’s specific question connects a variety of objects and epistemological categories, such as panel painting, manuscript illumination, profane und religious objects, cartography, travel accounts, and cosmological treaties. Accordingly, the methodological approaches will range from art history and visual studies to cultural anthropology. Team members will also draw upon interdisciplinary expertise, such as technologies of art production, history of science and philosophy. The project thus makes an important contribution to global art history, a highly innovative area in which only very few pre-modern topics have been addressed. It is the ultimate goal of Global Horizons to suggest a new history of representation in western medieval art.
