Ausstellungsprojekte
„The Plate Show“ (Berlin/Basel, forthcoming)
„Das Loch“ (exhibition at the Künstlerhaus Bremen, 2016 with Fanny Gonella)
Metropolitan Museum of Art, New York: Visiting Research Fellow in the Department of Prints and Drawings (2015) [courtesy of the Mellon Curatorial Internship Fellowship]
Drafts Establishing Future (a project of abc berlin, 2009, with Hella Gerlach)
Lehre
HS 2020
Proseminar: Still-Life
FS 2020
Proseminar: Wimmelbilder! Die Welt in Pieter Bruegel
HS 2019
Proseminar: Vermeer (introduction to the Art of the Dutch Golden Age)
Mitgliedschaften
Netzwerk Topographische Bildmedien
https://www.arthistoricum.net/netzwerke/ntb/
Netzwerk Berührung: Literarische, Mediale & Politische Figurationen (associated)
http://www.netzwerk-beruehren.de/programm.html
Publications
“Border Games: Pierre Duval’s Cartographic Enjeux and the Performance of Borders in Print”, in 21 Inquiries (under review)
“Materializing Borders and Learning to Think in Limits, in 17th-century France” in Artium Quaestiones (Forthcoming)
“Rococo Redux: The Bloom of The White Lotus and the Return of the Rocaille” in Journal 18 (June, 2023).
“The Gift of Memory, the Mother of the Muses: Alex Müller at the Kunsthalle Nürnberg” in Wie die Zeit vergeht, exhibition catalogue (Dortmund: Kettler Verlag), 2023.
“Tabling Peace: on the Political Iconography of Putin’s Table” in Kritische Berichte Heft 3, 2022.
“Power Play at New Hardwick Hall: On Marriage and Heraldic Joints in an Early Modern English Table (ca. 1568)” in Heraldry in Contact, Urte Krass and Miguel Metelo de Seixas, eds. (Ostfildern: Thorbecke), 2023.
“On Neutral Grounds: Gerard Ter Borch’s The Swearing of the Oath of Ratification of the Treaty of Münster, 15 May 1648” in, Le Fond de l'œuvre. Arts visuels et sécularisation à l'époque moderne, hg. Emilie Chedeville, Étienne Jollet, Claire Sourdin, Paris, Editions de la Sorbonne, coll. "Histo.art" 12, 2020.
“The Antoinette Effect: An Interview with Simon Fujiwara,” Journal 18 (December 2019), http://www.journal18.org/4492.
“Entgrenzte Souveränität. Der Schurke als Spiegel der Macht in Mad Max, Captain Phillips und Mission Impossible” (mit Yumin Li) in Medialisierung der Macht: Filmische Inszenierungen politischer Praxis, hg. Irina Gradinari, Nikolas Immer, Johannes Pause, 255-272. Paderborn: Fink, 2018.
“Das Reale der Gummihandschuhe: Zur Taktilität in Robert Wienes Orlac’s Hände” (mit Sebastian Haselbeck) in Augenblick: Konstanzer Hefte zu Medienwissenschaften (Heft 69/70, 2017), 31-48.
“On Border Play in Eighteenth-Century Europe” in Journal 18: A Journal of 18th-Century Art and Culture. http://www.journal18.org/nq/on-border-play-in-eighteenth-century-europe-by-sasha-rossman/ (October, 2016).
“Border Spectacle: ‘Europe’ at the Edges of Representation” in Transit: A Journal of Travel, Migration, and Multiculturalism in the German-speaking World (Vol. 10, Issue 2, 2016). [Peer Review]
“The ‘Cutting Edge’ of Fashion: Designs for the Decoration of Arms and Armor on Paper” mit Femke Speelberg, The Metropolitan Museum of Art Blog, Posted: Thursday, April 16, 2015.
“Transitional Objects. The Postwar Werkbund and the Design of New, West-German Subjects (1948-1968)” in Room One Thousand, Issue 1 (2013)
Stipendien
- Berkeley-FAU Erlangen/Nuremberg Research Fellowship, 2019
- Berkeley-Cologne Research Fellowship, 2016
- DAAD research fellowship at the University of Konstanz, 2015-2016
- Mellon Curatorial Internship Fellowship at the Metropolitan Museum of Art, New York, 2015
- Netzwerk Transatlantische Kooperation at the University of Konstanz: visiting scholar fellowship summer 2015
- University Regent’s Fellowship at the University of California, Berkeley, 2011-2014
- DAAD, Deutschlandjahr (Humboldt Universität zu Berlin), 2002-2003
